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Chicago-based duo Mind Maintenance discuss their devotional new album for Drag City Records with Gareth Thompson
Musician-composer Phil Self talks about pulling pints, the Kentish coast and Peter Greenaway’s influence on his new album Zed Zed
A diverse gathering of sounds from Rob St John, Colleen, Cheval Sombre, The Chills and Juliana Hatfield goes through some evaluating ears
Mark Churcher discusses the musical foundations of V-Neck and his A Nice Random Meet LP, plus Glasgow connections and the return of Emote
Lithuanian duo Five Rituals discuss their debut LP of experimental low-end music, giving in to the present moment and eco friendly vinyl
Bongo Joe’s La Ola Interior compilation of 1980s Fourth World infused Spanish ambient is a third eye opening experience
Reflections on ten tremendous years of Clay Pipe Music, with founder Frances Castle, through ten totemic releases
New albums from Cheval Sombre, Plankton Wat and Isnaj Dui shift through several shades and shapes of self-seclusion
Stewart Gardiner highlights a baker’s dozen of 2020 records he missed then, but has fallen in love with now
These are the seventy-five albums of 2020 that have meant the most to us at Concrete Islands, alongside our archive releases of the year
Danalogue and Alabaster dePlume hitch a wild ride together with a freewheeling studio set for Total Refreshment Centre
Rob Mazurek’s latest cosmic carnival of an album for International Anthem is playful, epic and riotously inventive
New albums from Snow Palms, Angèle David-Guillou and Faten Kanaan, pushing post-classical envelopes and more, fall under the review spotlight
Burd Ellen’s Debbie Armour talks to Gareth Thompson about sacred dramas, Mary as an Ever Mother and taxidermy wrens
David Keenan tells Stewart Gardiner about losing himself to writing fiction, keeping the voices at bay and letting Xstabeth loose
British-Israeli combo Staraya Derevnya make an extreme montage of noise and rhythm on their latest record Inwards Opened the Floor
Ian Preece tells all on Listening to the Wind, his hefty yet accessible book profiling intrepid independent labels from across the globe
Belbury Poly’s The Gone Away reopens the town of Belbury with a musical journey through the eeriest Ghost Box hinterlands
To mark the release of new LP Adlestrop, the real Gilroy Mere talks to Stewart Gardiner about Clay Pipe Music, the Beeching Report and avoiding nostalgia
Stepping aside from his films and literature led explorations, Rupert Lally looks back into his own childhood with this first appearance on Modern Aviation
David Lynch gives voice to unreliable simian singer Jack Cruz for this 7″ of noir-surreal DIY torch songs on Sacred Bones
Witch ‘n’ Monk’s boundary pushing eponymous second LP playfully explores fourth world landscapes, cosmic jazz boundaries and no wave rhythms
This second springtime column brings together a broad range of wares from Modern Studies, Textile Ranch, Bizarre Statue, Correlations and Rose City Band
Finnish double bassist Ville Herrala conjures raw suspense and offers many surprises on his ambitious debut album Pu: from We Jazz Records
Jon Brooks’s How to Get to Spring on Clay Pipe Music invites nature indoors with a set of beautifully necessary pastoral electronics
Moustachioed modular-synth maestro Stephen James Buckley brings others into his immersive sound world with sublime communalist results
Keith Seatman’s phantasmagorical progtronica does like to be beside the seaside on his Time to Dream but Never Seen long player